[24], Gordon at the Opening of his Exhibition at the. In Through a looking glass (1999), Gordon created a double-projection work around the climactic 71-second scene in Martin Scorsese’s film Taxi Driver (1976), in which the main character addresses the camera; the screens are arranged so that the character seems to be addressing himself. On view until December 23th, 2017 at Until Then, 41 Boulevard de Magenta, Paris. your own Pins on Pinterest Currently on view in the Contemporary Galleries at The Museum of Modern Art is a large-scale video installation by the Scottish artist Douglas Gordon. Installation view: Spellbound: Art and Film, Hayward Gallery, 1996. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. His Blind Stars (2002) featured publicity photographs of mid-century movie stars in which the sitters' eyes were replaced by expressionless black, white or mirrored surfaces.[11]. The actual film lasts 113 minutes and the installation just under seven weeks. Gallery versions of Zidane, un portrait du 21e siècle (2006) were purchased by the Scottish National Gallery of Modern Art and the Solomon R. Guggenheim Museum, New York. [23] His color photograph Monster (1996-7) is in the permanent collection of the Honolulu Museum of Art. His work was the subject of a 2001 retrospective organized by the Museum of Contemporary Art, Los Angeles, which traveled to the Vancouver Art Gallery, Canada; Museo Rufino Tamayo, Mexico City; and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. [16] A survey of his textworks was shown at Tate Britain, London in 2010. Douglas Gordon installation at Until Then, Paris. Across our 19 London offices, our teams always act honestly and with integrity, to ensure the best results for their clients. Photo Paul Mouginot. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. Much of Gordon's work is seen as being about memory and uses repetition in various forms. Discover (and save!) Douglas Gordon & Philippe Parreno ‘Zidane – A 21st Century Portrait’, 2006, installation view, 2020, Louisiana Museum of Modern Art INQUIRE. He uses material from the public realm and also creates performance-based videos. The feature-length film, which he co-directed with fellow artist Philippe Parreno and assembled from footage shot by seventeen synchronized cameras placed around the stadium in real time over the course of a single match,[9] premiered outside the competition of the 2006 Cannes Film Festival before screenings at numerous international venues. Open to the public December 9, 2014–January 4, 2015. 1966, Glasgow, Scotland). [5] Feature Film (1999) is a projection of Gordon's own film of James Conlon conducting Bernard Herrmann's score to Vertigo, thus drawing attention to the film score and the emotional responses it creates in the viewer. Douglas Gordon Installation. To be seen on monitors, some with headphones, others run silently and all simultaneously." [14][15] Another 2006 retrospective was on view at the Kunstmuseum Wolfsburg, Germany, and the Scottish National Gallery of Modern Art, Edinburgh. Douglas Gordon and Morgane Tschiember’s installation As close as you can for as long as it lasts, presented during Elevation 1049: Avalanche in Gstaad, Switzerland. [5] The video installation left is right and right is wrong and left is wrong and right is right (1999) presents two projections of Otto Preminger's Whirlpool (1949) side by side, with the one on the right reversed so that the two sides mirror each other; by digital means, Gordon separated individual frames of the original film so that odd-numbered ones on one side alternate with even-numbered ones on the other. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. Douglas & Gordon are family owned independent London estate agents. Nationality British ; Date of birth 1966; Douglas Gordon was born in Glasgow and is often associated with the Young British Artists movement. Much of Gordon's work is seen as being about memory and uses repetition in various forms. Apr 2, 2013 - This Pin was discovered by Melissa Gill. Gordon took part in the Biennale of Sydney 2014 and Documenta 17. 24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. [3] In Between Darkness and Light (After William Blake) (1997), William Friedkin's Exorcist (1973) and Henry King's The Song of Bernadette (1943) - two films about adolescent girls driven by external forces[4] - are projected on either side of a single free-standing semi-transparent screen so they can be seen simultaneously. [19] Several photographs and video installations are in the Migros Museum for contemporary art in Zürich.,[20] in the Tate collection,[21] National Galleries of Scotland, Musée D'art Moderne de la Ville de Paris[22] as well as many other prestigious collections worldwide. Gordon's first solo show was in 1986. ... ‘Reflux’, 2016, site-specific installation, 170g matte Fine Art wallpaper, variable dimensions, unique, exhibition view, Paris Photo 2016 INQUIRE. View Douglas Gordon’s 333 artworks on artnet. This volume examines the innovative work of 34-year-old Scottish artist Douglas Gordon. [1], Gordon has often reused older film footage in his photographs and videos. Photo: John Riddy Douglas Gordon 1996 In 1996, Gordon was one of the artists invited to Skulptur Projekte Münster,[13] and in 1997 he represented Britain at the Venice Biennale. See available photographs, paintings, and installation for sale and learn about the artist. In 2010, Gordon collaborated with Rufus Wainwright, creating the visuals for his tour which accompany Rufus' All Days Are Nights: Songs for Lulu album. In Gordon’s world nothing is good or evil – but both at the same time. Tomoo Gokita “PEEKABOO” exhibition opening and after party at Tokyo Opera City... See Yasmine Eslami’s new S/S 2018 swimwear campaign, BIRKENSTOCK BOX x Rick Owens Launch Party at Rick Owens, Los Angeles, “Ritual” by Tom Sachs at Thaddaeus Ropac, Paris, “More Than Tongue Can Tell” an exhibition by Torbjørn Rødland, Purple TV PRESENTS: Marsell SS21 featuring Eliot Sumner shot by Federico Radaelli. While Scottish artist Douglas Gordon has developed a practice primarily based in video art and photography, his body of work is diverse and also includes sound, text, and installation art. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Douglas Gordon’s practice encompasses video and film, installation, sculpture, photography, and text. Douglas Gordon (Scottish, b. In one installation, this was placed at the top of a tall building, referencing one of the film's main plot points. Douglas Gordon «5 year drive-by» «5 year drive-by» refers to the duration of the storyline of «The Searchers,» the Western by John Ford. [17][18] The Guggenheim collection also include Through a Looking Glass (1999) and Tattoo (for Reflection) by Gordon. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Pour l’installation vidéo Predictable Incident in Unfamiliar Surroundings (1995), Douglas Gordon extrait de la célèbre série télévisée américaine Star Trek les rares scènes de baisers entre le Capitaine Kirk, héros de la série, et les femmes de son entourage. Douglas Gordon is a contemporary Scottish artist known for his ability to disrupt preconceived ideas about reality. Performances by Hélène Grimaud within the installation. [10], Gordon has also made photographs, often in series with relatively minor variations between each individual piece. Installation view of Douglas Gordon, 2004, at the Hirshhorn Museum and Sculpture Garden February 12 to May 9, 2004 The Smithsonian’s Hirshhorn Museum and Sculpture Garden served as the exclusive East Coast venue for the first North American survey of works by Scottish artist Douglas Gordon (b. Douglas Gordon «24 Hour Psycho» «Realistically, no one can watch the whole of «24 Hour Psycho», which consists of Alfred Hitchcock’s film «Psycho» (1960) slowed down so that a single, continuous viewing lasts for twenty-four hours. In 2006, Douglas Gordon Superhumanatural opened at the National Galleries of Scotland complex in Edinburgh, being Gordon's first major solo exhibition in Scotland since he presented 24 Hour Psycho in 1993. Douglas Gordon: Phantom, 11 December 2014 – 17 January 2015. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in … The … Douglas Gordon is a contemporary Scottish artist known for his ability to disrupt preconceived ideas about reality. Douglas Gordon’s I had nowhere to go (2016) is a ninety-seven minute film/projected image installation, in which experimental filmmaker Jonas Mekas is heard via voice-over reading passages from his 1991 autobiography of the same title, while his image intermittently appears out of the dark blankness that the black screen of the work is governed by. As a result, it lasts for exactly 24 hours, rather than the original 109 minutes. In 2005, he put together an exhibition at the Deutsche Guggenheim, Berlin called The Vanity of Allegory. The projections, measuring at least 3 x 5.5 m, are shown on opposing walls in a blacked-out room, with one image flipped horizontally so that the images mirror one another. [2] One of his best-known art works is 24 Hour Psycho (1993) which slows down Alfred Hitchcock's film Psycho so that it lasts twenty four hours. Get in touch today He uses material from the public realm and also creates performance-based videos. Turner Prize-winning artist Douglas Gordon is one of our favorite artists. Share on Facebook; Share on Twitter k.364 premiered at the Venice Film Festival in September 2010. Douglas Gordon and Morgane Tschiember’s installation As close as you can for as long as it lasts, presented during Elevation 1049: Avalanche in Gstaad, Switzerland. Play Dead; Real Time (2003) is co-owned by MMK Frankfurt and Hirschhorn Museum and Sculpture Garden Collection. Through his work, Gordon investigates human conditions like memory and the passage of time, as well as universal dualities such as life and death, good and evil, right and wrong. In each projection the camera circles as the elephant walks around, lies down to play dead and gets up. He lives and works in Berlin, Germany. (self) group exhibition opening at Douglas F. Cooley Memorial Art Gallery, Reed... Douglas Gordon “back and forth and forth and back” exhibition at Gagosian,... “Larry Clark et Jonathan Velasquez” exhibition at Galerie Rue Antoine and Galerie... 21st anniversary exhibition opening of “Pièces Meublées” curated by Bob Nickas at... Douglas Gordon’s “The Anatomy of My Desire” Exhibition at Galerie Kamel Mennour,... Douglas Gordon at the opening night of Decadences, a group exhibition of Gardar Eide…. [8] Gordon also made a film about Zinedine Zidane, Zidane, un portrait du 21e siècle (2006), an idea first seen in a film by Hellmuth Costard, who, in 1970, made a film about George Best titled Football as Never Before. May 1, 2014 - Shaz Madani is an independent designer and art director working across publications, branding, installations and websites. 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